From the boat a road takes visitors up to Villa Carmignac, where landscape architect Louis Benech designed a “non-garden” filled with endemic species of flora and some 20 outdoor art installations. The island is accessible only by boat from the town of Hyères on the Côte d’Azur. Thirteen years later, he acquired the 37-acre Domaine de la Courtade vineyard on the picturesque Mediterranean island of Porquerolles with the intent of turning it into a contemporary art center-the Villa Carmignac. In 2000 the French entrepreneur Édouard Carmignac created his namesake family foundation to steward his collection. The display extends into the garden, where sculptures by Bernar Venet, Jonathan Monk, and Richard Long can be found plans call for an expansion of the collection over time. There is also a restaurant with Charlotte Perriand furnishings, four guest rooms, and a small Jean Prouvé–designed house where visitors can stay overnight. Works by Carl Andre, Richard Serra, and Michelangelo Pistoletto offer an enticing peek into Bonnet’s permanent collection. The French outpost stands out from the Belgian venue with particularly dynamic exhibitions, an artist-in-residency program, and hospitality spaces. Two years ago a sister institution opened its doors in Saint-Paul de Vence in a modernist 1950s building revamped by architect Charles Zana. In 2012, Belgian art collector Hubert Bonnet launched Fondation CAB in Brussels to promote minimalist and conceptual art through an active cultural program. In 2019 the small space was expanded by 4,843 square feet and a spacious private garden was made accessible to the public. Artists of the Lyon school, such as Jean Couty, Jean Fusaro, René Chancrin, and Maurice Montet, are featured, as are works acquired after the collector’s death, such as pieces by Jérémy Gobé and Lionel Sabatté. In 1983, a year before his death, he left a bequest to Fondation de France, putting it in charge of creating a private foundation dedicated to medical research, Armenian communities, and young artists.Ī year later, the Fondation Léa et Napoléon Bullukian art center was inaugurated in a 645-square-foot space in Lyon showcasing works from Bullukian’s collection. After the Second World War he diversified his industrial activities, eventually focusing on plastic. There he met and married Léa Vaillat, who shared his passion for art, and launched a construction company in Lyon. Deported, enslaved by a Kurdish tribe, then raised in an orphanage after his escape, he eventually moved to France. He lost both his parents to the Armenian genocide in 1915. Napoléon Bullukian had a remarkable life. Image Credit: Fondation Léa et Napoléon Bullukian. Fondation Léa et Napoléon Bullukian, Lyon.

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